Justice
On 1 February 2025, Justice transformed the LDLC Arena into a veritable temple of electronic music. With spectacular stage design, a light show of remarkable precision and iconic tracks sung along to by the entire audience, the French duo treated the Lyon crowd to an immersive experience that was as powerful as it was unforgettable.
This event is produced by Corida. L-R-21-7638/39
The legendary French electronic music group Justice transformed the LDLC Arena into a veritable temple of electronic music.
The evening kicked off with Kavinsky, known worldwide for his track ‘Nightcall’. Having made a lasting impression at the closing ceremony of the Paris Olympic Games, the artist came to thrill the Lyon audience with a set that was as powerful as it was spellbinding.
At the end of this exceptional first set, it was the turn of the French duo, Xavier de Rosnay and Gaspard Augé, to set the stage alight.
Justice transported the audience into a world that was as minimalist as it was spectacular, where a pared-back stage design left the spotlight entirely on the impressive lighting design. For nearly an hour and a half, the duo performed a string of their greatest hits in a veritable deluge of sound and visuals, driven by flawless synchronisation between the music, the lighting effects and the stage effects.
The audience was swept away by iconic tracks such as ‘Genesis’, ‘D.A.N.C.E.’, ‘Stress’, ‘Neverender’ and ‘We Are Your Friends’. Without any unnecessary frills, Justice allowed the music and the power of their visual world to come into their own, transforming the LDLC Arena into a vast dance floor where every crescendo was accompanied by increasingly immersive lighting effects.
This extraordinary show demonstrated once again why Justice is now a key figure on the global electronic music scene. Combining powerful sound, technical precision and visual mastery, the duo treated the Lyon audience to an immersive and memorable experience that will go down as one of the highlights of the LDLC Arena’s programme.
© Photo credit: Simon Bianchetti